Six degrees of collaboration
Six degrees of collaboration.
Here are 3 artists from Toowoomba who work very differently in different
mediums to to collaborate together to create ‘six degrees of collaboration’.
This was the exhibit at The Grid Ruthven st Toowoomba.
Jack Atley, Fancy Darling and Thomas Neal have spent the last six weeks
working closely together.
"We all have a different approach to art ," Jack says.
"Tom makes stuffed toys. Fancy paints and draws and etches. I make unique
3D digital sculptures."
"Most artists develop a visual shorthand we communicate ideas
with," Jack explains. "We've taken each other's visual metaphors,
thrown them in a blender, and re-interpreted them individually and
collaboratively."
Jack Atley https://www.facebook.com/jackatley?fref=ts got
the idea from Tunisian
collaborative painting style to create the exhibition.
"As you do a collaboration you tend to lose control over the art.
The art becomes its own thing. The imagery is repeated in certain ways. There's
a flow through the work."
Fancy Darling https://www.facebook.com/buella.blue?fref=ts says it took
her a little while to get used to the idea of "letting go" of her
individuality in her work. "But it's been liberating to incorporate all of
the other images," she explains. "Sometimes you get a bit stuck in
your own ideas. To be able to expand things has given me a broader toolbox of
things to use."
Thomas Neal https://www.facebook.com/thomas.neal.39?fref=ts says we
had a lot of trust involved when sharing
artwork to create the exhibition. "I'll come up an image and that I walk
away from , then I'm excited to come
back and see what Fancy or Jack has done. We tend to complement each other.
There's no competition amongst the trio."
"It's really exciting to see your work in someone else's hands to
see it though their eyes. It wasn't a huge jump. It's a nurturing environment,
rather than being competitive."
"I can be trapped in a room sewing a toy for days and not speak to
someone. So having other people involved in the input takes you out of our
shell a little bit. It might be a bit confronting at times. But it's a nice
confrontation!" Thomas laughs.
Keeping a modern audience engaged can be a challenge says Jack Atley.
"It's a challenge as an artist to cope with people who can't wait
for a website to load! I don't really like the word 'playful', but while this
work is visually appealing, it's underpinned by broad social themes that are
important and relevant and quite sacred to us as artists. The playfulness is
more or less leverage to be able to engage an apathetic and agnostic
public."
"I'm interested in seeing what people draw out of the work."
"There's a lot of sensuality and sexuality underpinning what we do.
It's not a show for your children." Even though there are stuffed toys
and the characters are in a animation
style, the exhibition is for adults Jack is quick to warn.
In keeping with the 'degrees' theme, Jack says more artists will come on
board to the project. "The last person in, which is Tom, will invite the
next person. We've got an artist in Sydney, a very established street artist
lined up. He'll invite the next person. The whole thing keeps on expanding on
itself," Jack Atley says.
Jack Atley will bring other artists on board. While
still maintaining the ‘degree’ mantra. Tom who was the last to be invited to
come on board will invite the next artist into collaboration. This will keep
growing and developing. We’ve have invited a Sydney Based artist to come on
board.
You can buy Jack Atleys work at https://www.facebook.com/pages/Maison-DArt-Toowoomba/247475028596790
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